Showing posts with label perserverance. Show all posts
Showing posts with label perserverance. Show all posts

August 28, 2010

Faith, hope and controlled insanity




Joss was, not unexpectedly, awesome. I could have listened to him for far longer and he said many things that will probably make it into blogs at some point but there was one thing in particular he spoke about that I loved.

When asked whether he ever dreamed that his shows would be wildly popular/have huge cult followings, he said "Yes." He then went on to say that to be a writer, you have to be slightly megalomanical. You have to have the sort of controlled insanity that lets you say, "Yes, my stuff is very cool and people will like it so I will sit down and write a one hundred thousand word novel or a TV series or a movie," because without that faith in yourself and your stories, you're never going to survive the constant rounds of rejection and criticism that putting your work out there will bring.

Which I've heard other people say variations of before and which I one hundred percent agree with. But it's a difficult thing to talk about, that sort of self-belief. I would say it's even harder for an Australian because we have a deeply ingrained cultural prejudice against people who "talk themselves up". Tall poppy syndrome is alive in well in this country. And it's probably doubly harder on top of that for women, because women are also culturally conditioned to put everyone else first and not stand up and say "yep, I can do that and do it well." Even as I type this, there's a part of my brain saying "Mel, you can't blog about believing in your work, people will think you're up yourself."

But here's the thing. I do believe in my work. I love my writing and my stories and my worlds. I write the books I want to read. But that in no way means that I think "I am the Goddess of all writing and everyone else is a hack turning out dross and every word that drips from my pen is gold." Loving my work doesn't mean there aren't other writers out there that I love and other writers out there that I adore and would give my left arm to get as good as. There are. Plenty. I don't think Joss Whedon thinks he's God (well, he does but he doesn't believe in himself, so that's okay) and the greatest writer on the planet either. I think, to be a little Whitney about it, he believes in loving what you do. I think if someone had said "did you expect great success", his answer might have been 'no, but I hoped. I wanted it. I believed I was capable of writing something really cool'.

I don't think that my first book is going to be a number one New York Times bestseller because i'm just that damn good and I'm the best thing to hit the writing world ever. I'm not. Doesn't mean I wouldn't love that to happen, that I don't let myself dream that one day I will hit lists (because, to quote Joss again, "Dream Big" is another thing I believe in), I like to hope one day I could achieve that if I work hard and keep trying to be better.

Loving your work means thinking "I have a story to tell. It's a good story. I think other people will like this story". Loving your work means "I will work hard to write this story the best way I can write now and then I'll work harder to learn more and write the next story." It means "Okay, I got a rejection, what do I need to do to get better, or fix the story because damn, I believe in this story and I am a writer and I will crack this." It means that deep down in your gut feeling that this is right for you and the pig headed stubborness to keep writing for nine years (or five or fifteen or however long it takes) before you sell a book.

It means finding it within yourself to fight through the moment when what you're writing really is terrible (or at least feels terrible) and your inner critic tells you you're a hack) and you get the horrible critique or rejection or review and get back to the important thing, the love of your story. Which is what I try to do. I have many doubting moments. Many. Many. I had almost an entire year of doubting moments not so long ago. But I slogged it out. I'm lucky in some ways, I had parents who did bring me up to think I could achieve what I wanted if I worked hard at it (not that they ever said "hey, Mel, you'd be a great writer") and I've found ways that work for me to keep me going (which are going to be different for everyone but I like goal-setting and visualisation and meditation and sometimes sheer bloody mindedness, through reading books and doing classes and listening to other writers talk about tools they use) and get me back to "I am a writer. I love this story, let's get to it." How you do that is up to you but I do think you have to find a way because writing is a hard gig and you have to be your own best cheer squad.

Also, because Joss said so and because he was right.

March 28, 2010

On Golden Hearts

This week is always a big week in the romance writing world because the RITA and Golden Heart finalists are announced. The RITA and Golden Heart awards are run by the Romance Writers of America and are essentially the Oscars for published and unpublished romance writers respectively.

So big congrats to all the finalists...especially the Aussies (yes, slight bias) Kelly Hunter, Bronwyn Parry and Elizabeth Rolls for the RITAs and Robyn Enlund (extra woot for my crit buddy), Kylie Griffin, Vanessa Barneveld and Gabrielle Luthy for the Golden Heart.

Enjoy the ride everyone.

Being a finalist in the Golden Heart is pretty exciting stuff. It's a big credential for your writing when querying agents and editors and winners and finalists have a good history of selling. What's interesting though is that, anecdotally (not sure if anyone has ever actually done stats) is that winners and finalists also have a history of quitting writing after the Golden Heart.

So here's the thing....don't give up. There's sixty odd finalists each year in (currently) ten categories each year. I was a finalist in 2007 and we probably had the same sorts of numbers...maybe a few more. Now, most years, a couple of you will sell the GH book or another book before results come out, at least one winner will sell the book at conference or very close to and there will be other sales throughout the year. I'd like nothing better than for everyone to sell their GH book (and snag themselves a fab agent as well) and have it be the kickstart to a glorious career. But most likely, that won't happen. Not everyone will sell their GH book this year, or maybe at all. Not everyone will pick up an agent out of it. And I think that for those who give up at this point, the fact that they don't sell or don't get the agent somehow equals "this is never going to work for me if I can't sell a book that finalled in/won the freaking Golden Heart".

In fact, finalling or winning means the opposite. It means you are a good writer. It means you have what it takes. But you might still have to grit your teeth and keep writing and keep walking the bumpy road of publishing a bit longer before you get that perfect combination of agent, book, editor and market that equals a sale. I sold this year...not quite three years after I got the finalist call (and I was a double finalist, though granted, I switched focus and have only really pursued one of the categories I finalled in since). It wasn't my GH book that sold, it was a few more books down the path. I would still love to find my GH book a home one day because I do love it but to date, it hasn't sold.

Of the gals in my GH year, there's been a steady stream of sales, some of Golden Heart manuscripts, some of other books. Some of other books then Golden Heart manuscripts but not everyone has sold yet. But I know they will if they just keep going. Because GH finalists have what it takes. How do I know? Well, of the 2007 gals, there are five RITA nominations this year. Not too shabby for a bunch of gals who were all unpublished three years ago.

So good luck to everyone, I hope you all sell fast. Enjoy the fun of being a finalist but keep writing and don't give up!